Send a finished draft to Penn, our AI reader. Usually within 20 minutes you get industry-standard coverage, margin notes pinned to the lines they are about, and a day of Penn on that script to argue with the notes. $19, one time. No subscription, no card on file after. Want to keep arguing past the day? The membership picks up where the read leaves off.
Full coverage runs about four pages: logline, synopsis, comments, element grades, verdict. This is the comments section of a sample read.
The premise is strong and the first ten pages earn it: a repo man who steals back cars from the dealership that fired him is a clean engine, and the opening theft plays as both character and setup. The problem starts on page 31, when Dana enters. She is written as the voice of conscience, and from that point every scene she shares with Ray becomes a debate about whether he should stop. The script tells us what it is about instead of dramatizing it, and the second act stalls while two people agree with each other at length.
Dialogue is the clear strength. Ray's lines in the lot scenes (pp. 12, 44, 67) have the clipped, deflecting rhythm of someone who has rehearsed his excuses. Dana's do not; she speaks in complete sentences and theme statements. Give her a want that is not "Ray should quit" and the middle of the script will move.
Premise: Good. Structure: Fair. Character: Fair. Dialogue: Good. Verdict: Consider.
Excerpt from a Full Read of a sample script. The same reader wrote the notes below.
One to three notes per page, each pinned to a line Penn quotes back to you. Four from the same sample script.
I don't steal cars. I collect.
PraiseThe whole character in five words. Protect this line; do not let a later scene explain it.
You can't keep doing this, Ray.
CraftDana's first line is the theme said out loud. Give her a reason to be in the lot that is not Ray.
Then why'd you come back?
QuestionRay asks the question the scene should answer, and nobody does. Is this where he decides, or where he avoids deciding?
the lot, empty now
CraftThird lot scene, same staging, same beat. Cut one, or change what the lot means by this point in the story.
In your read the notes sit beside the page they are about, and every quote is copied from your script.
$19 one time
For scale: human coverage services typically charge $60 to $150 for the report alone, take a week or more, and rarely put a note in the margin. A Full Read is the coverage, the margin notes, and a day of Penn to argue with them, usually back within 20 minutes.
Buy a Full Read. You will paste or upload the script on the next screen and get an email when Penn is done. Most reads finish in under 20 minutes.
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It is not a human reader. Penn is Better Draft's AI reader. It writes coverage in the format a studio reader uses, and it never trains on your pages. It is specific, consistent, and fast, and it will tell you things a friend will not. When the draft is ready for the industry, get human eyes too. This is the read that gets the draft there.
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